a m e r i c a n r o o t s m u s i c • t r a d i t i o n a l c o u n t r y • b l u e s • f o l k • a m e r i c a n a m u s i c • a m e r i c a n r o o t s
m u s i c • t r a d i t i o n a l c o u n t r y • b l u e s • f o l k • a m e r i c a n a m u s i c • a m e r i c a n r o o t s m u s i c • t r a d i t i o n
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No Hard Times Jimmie Rodgers Original sessions produced by Ralph Peer in 1932. Compilation and annotation by
Nolan Porterfield. Transfer from the originals by Bernardo Cosachov. Mastered by
Jörge Siemer. Final reissue production by Richard Weize for Bear Family Records
and Rounder Records. Licensed from RCA Records, a label of BMG Music. |
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Can The Circle Be Unbroken The Original Carter Family Originally released 1935, 1940 Sony Music Entertainment. Compiled and produced for
reissue by Lawrence Cohen. Archival Restoration and Remastering by David Mitson. |
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Ola Belle Reed Ola Belle Reed From the collection of the Brandwine Friends of Old Time Music as well as from 1973
recordings by old-time music maven Ray Alden, curator of the Field Recorders' Collective
series.
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Live at the Grand Ole Opry Hank Williams Read on … |
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Smokes Like Lightning Lightnin' Hopkins |
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Folk Singer Muddy Waters |
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The Very Best of the Everly Brothers Don and Phil Everly |
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The Buddy Holly Collection Buddy Holly |
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Best of Bee Gees The Bee Gees |
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Way to Blue Nick Drake |
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The White Album The Beatles |
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Another Side of Bob Dylan Bob Dylan |
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Not the Tremblin' Kind Laura Cantrell |
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33 1/3 Grand Street Mark Geary |
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Goin' Home Paul Rishell & Annie Raines |
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One Kind Word Geoff Bartley |
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![The Cider House Rules [soundtrack] • Rachel Portman](fav_album_pages/thumbnails/the_cider_house_rules.jpg) |
The Cider House Rules [soundtrack] Rachel Portman |
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The Stardust Ballroom John Schindler |
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December George Winston Read on … |
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Moon Over the Downs Various Artists |
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![[once were] The Pastures of Plenty • Oil Can](fav_album_pages/thumbnails/oil_can.jpg) |
[once were] The Pastures of Plenty Oil Can |
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Beautiful Dreamer Various Artists |
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In White Light Rachel Bissex |
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Women in Chant The Choir of Benedictine Nuns at the Abbey of Regina Laudis Recorded on location at the Church of Jesu Fili Marić, Bethlehem, Connecticut |
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Sinfonia for Strings James Forte |
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"I think what makes Mark Brine such
a gifted songwriter/storyteller is the fact that he seems to be such an
obvious fan of many genres of music. He's someone who is like a sponge
when it comes to reintegrating influences into his own work." -- Gail Worley, Ink 19 "Since migrating from Cambridge, Mass to Nashville some three decades ago, Mark Brine has carved out a strong reputation as an uncompromising traditionalist on the country music scene which has made him one of the elder statesmen of Americana." -- Shaun Dale, Cosmik Debris Magazine "His career has pursued the path of a truly independent artist - someone who follows his soul and does things his own way … his ability to write and produce has made his name synonymous with quality." -- Doug Floyd, AltCountryTab.com |
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"Brine has made a long career of flying under the
folk/country radar for a long time and has picked up a bunch of awards and recognition just the same. A real Americana act, Brine fuses elements of all the stuff we've been listening to for years that you really can't compare to anything else that’s sure to really draw you under it's spell." -- Chris Spector, Midwest Record Recap "Brine's music is fresh and current, with a rich sound that is as
honest as it is beautiful. With crisp, intelligent lyrics and sharp, powerful melodies, Brine
makes music that matters, plain and simple."
-- Kathy Coleman, About.com "I think Mark Brine must be Americana's best kept secret. A singer/songwriter for over thirty years, friend of the late and legendary pioneer fiddlin' Sid Harkreader, Brine writes wonderful story songs about ordinary people and ordinary places. To tell these stories, Mark has a voice that is as comfortable as a favourite coat." -- Pete Smith, Country Music Round Up "Brine could easily have been added to the cast of 'O Brother, Where Art Thou' without raising an eyebrow. He belongs to that group of artists whose individuality and quirkiness consign them to the periphery of what's commercially viable. But God bless him for not just being another cog in the musical wheel." -- James McSweeney, Flyin Shoes ©2004 Mark Brine Music. All rights reserved. |